| ction | | | | laundry", "my feet are pressed against the cold |
| Before I list some very helpful and powerful | | | | tiles", "I smell the rain-soaked air." The student |
| exercises to encourage creativity, let's take a | | | | should aim to make her live or potential listener |
| moment to consider what constitutes creativity, | | | | vividly experience what she sees. In order to |
| why we aspire to encourage creativity in the first | | | | develop and maintain the flow of streaming |
| place and what is required from the person who | | | | imagery, the student should ask herself new |
| wishes to encourage creativity through exercises, | | | | questions as to the nature of objects she sees in |
| be it her own creativity or that of others. | | | | her mind and explore them in detail. Relaying the |
| Definition of Creativity | | | | mental images should be done in a hastened pace |
| If one wishes to encourage creativity, it is advised | | | | to avoid judgment and critical thinking. Image |
| that she first has a clear definition of this term. | | | | streaming is to be exercised for at least 10 |
| However, Creativity is an illusive and complex | | | | minutes each time. Over time, this exercise |
| term that seems to defy definition, so let me list | | | | improves creativity and intelligence. |
| some options and choose what fit you most. | | | | Creativity Exercise #2 - Challenge Traditional |
| Creativity has to do with original and flexible | | | | Thinking |
| thinking, the ability to pay attention to details, the | | | | This exercise can be practiced in a group or |
| ability to cope with uncertainty. Creative individuals | | | | individually. Routine thinking is good for every day |
| possess a high motivation to overcome obstacles | | | | tasks, since you perform the task without |
| and solve problems, the willingness to take | | | | employing your mind and wasting energy on the |
| calculated risks, the desire to work hard in turn | | | | thinking process. For example, if you take the |
| for recognition. | | | | same route to work every day, you soon drive |
| Benefits of Creativity | | | | on auto-pilot. If, however, you have a task that |
| Encouraging creativity through exercises is a | | | | requires you take a different route, then you |
| proven way to develop young minds. Weaving | | | | have to concentrate and be aware of the left |
| creativity exercises into children's education | | | | and right turns you make. If your thoughts drift, |
| greatly improves their chances of becoming | | | | you will find yourself going unintentionally in the |
| successful and constructive adults who are able to | | | | regular route. If you wish to exercise creativity in |
| cope more aptly with a rapidly changing world. An | | | | solving problems, you have to stay clear of |
| environment that encourages creativity is also a | | | | routine thinking. This can be achieved by forcing |
| solid foundation for mental health. Creativity | | | | the mind to find new routes. Instructions: make a |
| exercises cultivate highly motivated students who | | | | list of words and write each word on a card. For |
| are less prone to adverse psychological states | | | | each word instruct the students to come up with |
| such as stress and boredom. | | | | 2 related words and write these down on |
| Creativity Exercises - What Is Required of the | | | | separate cards as well. You now have groups of |
| Teacher | | | | three words each. And now for the creative part: |
| First and foremost: you have to practice what | | | | randomly pick two unassociated words and |
| you preach, you have to walk the talk, or in other | | | | instruct your students to come up with an |
| words, if you want to encourage someone's | | | | association between the two seemingly unrelated |
| creativity, be creative! Show them. Don't tell them. | | | | words. This will force their thinking process to |
| Be a role model for exercising creativity and they | | | | form an unfamiliar route, a connection between |
| will follow. | | | | two dots that were unconnected until now. |
| Creativity is to be handled with respect and care. | | | | Forcing our mind to find new trails that connect A |
| Therefore, you have to create a special and | | | | and B is exactly what enhances creativity. Along |
| suitable physical environment for creativity | | | | the same lines, you can try these variation: make |
| exercises. Such environment should be | | | | a basic outline map of the United States without |
| comfortable and enabling, and guarded from | | | | state names. Instead of state names, write down |
| outside disruptions. | | | | names of world countries. For example, instead of |
| What's even more important than the physical | | | | Texas write Canada, instead of California write |
| environment is the emotional one. Your | | | | France. And so on. Now ask your students to find |
| responsibility is to create a safe place to express | | | | associations between the state and the country. |
| ideas, make mistakes, be silly, and not be judged | | | | Remember that we are not after any correct |
| or be subjected to ridicule. I can't stress this | | | | answer. We are exercising this in order to create |
| enough. Passing judgment kills creativity. Eliminate | | | | new roads. So don't test your students' |
| corrections and advice to a minimum. Abandon | | | | knowledge. Encourage them to come up with any |
| the right and wrong, black and white, good and | | | | association they can think of. It can relate to |
| bad mentality. Enable your students to fearlessly | | | | culture, economy, language, but it can also relate |
| express their thoughts, their individuality. To | | | | to the spelling of the names or to their |
| achieve a safe environment for self expression, | | | | pronunciation. Be open. |
| be sure to incorporate in your creativity exercises | | | | Creativity Exercise #3 - The Gods Must Be Crazy |
| the following ingredients: humor, laughter, music, | | | | An African Bushman, unaware of white culture, |
| art, drama, dance, and movement. | | | | discovers an empty Coca Cola bottle in the |
| Some of the following creativity exercises require | | | | Kalahari Desert. The bushman closely examines |
| certain materials. Be sure to provide these | | | | this mystical object (casually dropped by a passing |
| materials. You should probably provide additional | | | | pilot), wondering what it is good for. He then tries |
| materials that are not directly related to your | | | | blowing into it, and is very pleased to learn that it |
| planned exercises, in case your students will come | | | | makes a noise. In this creativity exercise you |
| up with fresh ideas and require materials to realize | | | | encourage your students to become Bushmen. I |
| them. | | | | mean it. You need to collect 5 to 10 props. You |
| Expose your students to creative artwork in | | | | display a prop to your students and ask them to |
| order to inspire them and wet their appetite, but | | | | find a new use for it. This exercise encourages |
| beware not to over do it. You want to give your | | | | creativity since it forces the thinking process to |
| students ideas, to jump start their creative | | | | erase or ignore what is known and come up with |
| muscles; you want them to be encouraged, not | | | | fresh ways of looking at something familiar. |
| discouraged. | | | | Creativity Exercise #4 - Music's Story |
| Creativity Exercise #1 - Image Streaming | | | | Play a piece of classical music, preferably one that |
| This exercise is to be carried out in pairs or | | | | your students don't know. Dim the lights, instruct |
| individually. The exercising student closes her eyes | | | | your students to close their eyes and listen |
| and asks herself a question. The exercising | | | | closely to the music. The music tells a story, it |
| student then describes out loud her mental visual | | | | tells about the weather, about a poor or rich man, |
| imagery either to another student or to a tape | | | | about mad love that is now dying. Ask each |
| recorder. Describing of the mental images should | | | | student to follow every plot twist, every change |
| be flowing and streaming. In the process of | | | | of atmosphere. Then stop the music and ask |
| describing the images she sees in her mind, the | | | | your students to write down their stories, with as |
| student should concentrate on sensory details. For | | | | much detail as possible. |
| example, "I feel the softness of the fresh | | | | |